![]() Playwright Wendy Wasserstein earned the Tony Award for best play and the Pulitzer Prize for Drama. The Heidi Chronicles originally opened on Broadway in 1989, after a successful run off-Broadway at Playwrights Horizons the year before. See more ‘Mad Men’: Exclusive Portraits of the Cast It’s almost the biggest part I’ve ever done besides maybe Top of the Lake.” “I start out the play onstage talking to the audience, and I do that twice more, just me onstage talking to the audience. It’s the biggest production really,” Moss says, citing the 13 scenes and multiple set changes. “It’s definitely the biggest part I’ve done on Broadway. However, this time around feels different. With the final season of Mad Men premiering on April 5, Moss decided to come back to Broadway, where she had previously starred in Speed-the-Plow in 2008. 'Dance First' Review: Gabriel Byrne Talks to Himself in James Marsh's Ponderous Beckett Bio-Drama It wasn’t really intentional to do another story like that, but I don’t know, I guess I must find it interesting.” A lot of the stuff that Peggy was fighting for in the ’60s Heidi takes up the mantle and keeps fighting for it. Heidi’s story is kind of a progression from Peggy’s story. “Or maybe Peggy’s like the aunt because she’s older. “They’re definitely sisters,” Moss says in the rehearsal room for Heidi, which opens at the Music Box Theatre on March 19. Both are trailblazers in women’s rights, from Peggy’s pioneering career at a male-dominated ad agency in the 1960s to Heidi’s ascent in the art world over three decades. Elisabeth Moss is going over the similarities between the character to whom she’s saying goodbye, Peggy Olson on Mad Men, and the one she’s getting to know on Broadway, Heidi Holland in The Heidi Chronicles.
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